Saturday, October 20, 2012

Figurative Works Through the Years by Theresa Oats

Brian Musseig
18x24 oil on canvas

Human beings are fascinating to me because everyone has 
 their own personality and inner world. I work from life because
the passage of time invites a person to reside in the inner world of thoughts
and emotion.  Observing their body language and expression offers me a glimpse
into the beauty of their spirits.

Jamaican Woman
oil on canvas paper
12x12

Liz's Garden
oil on linen
40x48

Laura's Kitchen
oil on linen
40x30

The Angel
oil on canvas
30x24
Anne Mendenhall
oil on canvas paper
24x16

The Balancer
oil on linen
60x40

Chemise
oil on canvas paper
23x18

The Black Dress
oil on canvas
24x20

Ed
pastel on paper
24x18
Passage of Isis
oil on linen
44x60

Jim
oil on canvas paper
22x18

'King of Diamonds'
24x16
oil on canvas paper
Don Witherspoon modeled and inspired
this image to flash in my mind. He subsequently returned to my studio dressed
as the image I described to him

oil on panel
16x1

Mike Woods
oil on canvas paper
24x18

The White Slip
oil on canvas
30x24

Morning
oil on linen
30x24

 Macbeth Doth Murder Sleep
inspired by reading Macbeth
oil on linen
50x40

Nude in Blues and Burgundy
pastel on paper
20x20

Changes
oil on panel
16x12

Pat Weaver
oil on panel
16x12

oil on linen
20x16

Red Gloves
oil on canvas
20x16

Sarah
oil on linen
22x18

'Sisters'
oil on canvas
36x30

Surfer Lawyer
oil on canvas
30x18

The Laborer
oil on canvas paper

The White Skirt
oil on linen
50x30

Woman with Chinese Screen
oil on canvas
20x16

4 comments:

  1. Dear Theresa, I do love your paintings, your garden and particularly some of your portraits, red gloves, white skirt, pat weaver, and so on. They are wonderful. It is also so good to see nudes of well built men; 'morning' was brilliant. I particularly like the way you have caught the power of each presence. Thank you.

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  2. So many beautiful paintings. Please come and share on Facebook we want to meet you and admire your work. ��

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  3. Terry, this is a wonderful series of paintings, that speak of years of observation and appreciation of the human form. "The Angel," "The Black Dress," and "Liz's Garden" stand out to me because of their poses, composition, wonderful drawing, and imaginative color (and scale!), but viewed all together, your body of work has a uniqueness and power that is inspiring and intensely "human," packed with feeling. You have the capacity to see beneath surface forms in your painting, and to grab hold of the "spirit" of your subject that is so difficult to do but for the most masterful of painters. I am praying right now that your painting is going well, that you are encouraged by the long way you have come, and the potential of more truly great paintings like these that are surely in your future. Congratulations for the devotion, discipline, and skill you have developed thus far. I am so glad I saw these. My very best to you and Jim. R

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